4.26.2010

Unprotected

WPA/Pennsylvania Federal Art Project
Artist: Robert Muchley
Library of Congress
Although I'm hardly expected to use my brain at the office, I do make efforts to protect it.

Efforts foiled again and again—as Monday morning arrives, and I'm wakened by the clock radio.

Today's "Morning Edition" included this, from
Dina Temple-Raston:
Polls carried out in Muslim countries by the Pew Charitable Trust late last year show a huge shift in public sentiment against al-Qaida. Pakistanis with an unfavorable opinion of al-Qaida jumped from 34 percent to 61 percent last year. Only 9 percent of those surveyed in Pakistan have a favorable view of al-Qaida.
Sounds about like the perception of Republicans—not that you'd know, from the media treatment they get.

But what really set me off was the Wisdom-Gleaned-From-Pop-Culture finish to the piece:
For the past decade, the Fox show 24 has built a franchise on America's fascination and fear of terrorism. Remember when Jack Bauer was cool? The show 24 was often ahead of the curve. It had a black president, years before President Obama. It offered a window into the fight against terrorism. It helped fuel a serious debate over the use of torture.
Serious debate? That's WTF one of NPR's finest calls the prime-time legitimizing of torture?

Legitimized so much that in 2007 Jane Mayer reported on the dean of West Point and other brass flying to Hollywood—to plead with the show's producers—that
... the show promoted unethical and illegal behavior and had adversely affected the training and performance of real American soldiers. "I'd like them to stop," [West Point dean William] Finnegan said of the show"s producers. "They should do a show where torture backfires."

...

Although reports of abuses by U.S. troops in Iraq and Afghanistan and at Guantánamo Bay, Cuba, have angered much of the world, the response of Americans has been more tepid. Finnegan attributes the fact that "we are generally more comfortable and more accepting of this," in part, to the popularity of "24"... The third expert at the meeting was Tony Lagouranis, a former Army interrogator in the war in Iraq. He told the show's staff that DVDs of shows such as "24" circulate widely among soldiers stationed in Iraq..."People watch the shows, and then walk into the interrogation booths and do the same things they’ve just seen."
Other material in Mayer's piece includes how seriously Bush administration members have used the show as an "example" of how to fight their "wot," as well as the apparent origin of the "ticking time bomb" trope itself: a 1960 French novel, published during the Algerian occupation. "Les Centurions" appears to have had no basis in actual events, but may have provided a "more palatable rationale" for French torture than traditionally racist ones (i.e., Algerians were brutes who only understood force).

But back to our crack NPR reporter—
And now Fox has just announced that the ticking clock is winding down -- this is 24's last season. So is this another case of the writers of 24 predicting the future?

"It probably doesn't change our analysis too much," McNeal says. "But certainly suggests something about pop culture-wise thinking about terrorism. Maybe we're all just bored with it."

Boredom is like a death sentence for terrorists. This is one way these movements can end.
Looking for what else Temple-Raston has had to say lately, I find this one I [mercifully] missed two weeks ago. About Jus' Folks in The True Heartland—
America's New Kinder, Gentler Militia
To cancel out the infuriating spin, I listened to the latest Driftglass-Blue Gal Friday Podcast. These weekly efforts just get better and better.

Only one problem: this week, as always, they're talking sense, as they size up the media and wingnut landscape.

And they lay out what would win elections for Dems. But they may come from Driftglass' love of science fiction...

4.24.2010

April Read: Posters For The People

Artist: Richard Floethe
Library of Congress
Posters for the People: Art of the WPA
Ennis Carter; Foreword by Christopher DeNoon [2008]

During the WPA, varied programs promoted a level of civic engagement that's unimaginable now. Among the Federal Art Project [FAP] efforts at putting unemployed artists to work, it seems the poster studios left us the most memorable work.

In his foreword to this book, Christopher DeNoon writes of researching WPA posters in the 1980's—finding few examples and little information, until being led to the Library of Congress and George Mason University archives.

Since then, the LOC has made posters available online, at By the People, For the People: Posters from the WPA, 1936-1943. DeNoon notes that these approximately 900 designs are only a fraction of over 35,000 posters designed and two million printed during the WPA years.

The largest printed collection to date, Ennis Carter's book includes about 500 designs, from LOC as well as other institutional and private collections. A companion site, Posters for the People, features many of the book's posters. The site is working to increase the total number of posters archived, and to serve as "the WPA Living Archive."

There's so much wonderful stuff here, in design or historical interest—and very often, both.

Posters publicized diverse New Deal programs at the local level. Subjects included

Civic improvement: Help Your Neighborhood By Keeping Your Premises Clean
Health: Make Your Health Points Get Your [TB] Test Now
Nutrition: Eat Fruit Be Healthy
Child rearing: No Creature In This World So Ignorantly Nurtured As The Average Baby
Education, including classes to give adults A Road To Future Success.
Reading, and use of the library—"an American institution."
It's a sign of the times that labor activism could be taken as a point of reference:
Library of Congress
Artist: Erick Hans Krause
As history, the posters show a range of what our institutions were once willing to tackle.

Planned housing was offered as a solution to social ills:
Infant mortality - as in this and this;
Juvenile delinquency;
And crime.

While it may have been a matter of individual artist sensitivity, it seems that some representations of African-Americans are much more respectful than was usual for the period.
Library of Congress
Artist: Richard Hall
Although this from the WPA Living Archive may just have been a color scheme decision, it does seem to portray a non-white family, in an unusually non-caricatured manner—
There are also posters for exhibitions of Indian art, designed by non-Indians, but featuring Native artwork. Among several posters for the "Indian Court" exhibit are Pueblo Turtle Dancers, and Buffalo Hunt.

Cheerful designs promoted community events of all sorts:
Father-and-Son Banquet
Amateur Contest for Children
Barbershop Quartet Concert
Activities for girls --
--and boys.
Both posters above: Library of Congress
Artist: Beard [full name unknown]
Of course, gender roles would (briefly) become more flexible in a few years, and federally-funded art would become centered on wartime themes.
Boston Public Library
But at the height of the FAP—with fine artists on payroll in various units—posters promoted art exhibits, and the Project established an annual Buy American Art Week.

Another design: National Art Week American - Art For American Homes.

A 1941 version is National Art Week - Buy American – Give American – Own American.

There's an impressive range of cultural events aimed at varied tastes—performed by troupes prominently labeled "Federal"—
Library of Congress
George Mason University Libraries

Despite furors over leftish plays, there is poster after poster for offerings of
domestic farce
;
vaudeville;
puppet shows;
and ... puppet vaudeville.

Some plays would seem to have been unobjectionably patriotic, like "Created Equal - A Dramatic Chronicle Based Upon The Constitution."

On the other hand, considering how much they need to stifle information they don't control, the "Economic Royalists" were outraged by any and all New Deal messages to the masses.

This play seems to have been a hit, with productions around the country.
Library of Congress
One that was too likely to give the rabble ideas? Actually, it was an adaptation of a Viennese farce; a 1937 Harvard Crimson review is here.

But even roller-skating beavers appear to have been eager for change.
George Mason University Libraries
I would love to have seen marionette robots in action.
Library of Congress
Artist: Charles Verschuuren
Some mysterious performances are survived only by an image in the WPA Living Archive.
Carter quotes Richard Floethe, who directed the poster studio in New York: "The Government unwittingly launched a movement to improve the commercial poster and raise it to a true art form."

There are wonderful designs, often from artists who seem to have left no other public record of their work. Among these are Arlington Gregg, who created wittily stylized designs for the Illinois FAP. Some examples are here, here, and here.

Dorothy Waugh produced striking posters for the National Parks, a number of which are in the book but not online. The Boston Public Library has examples here and here. Under the heading, "Vintage National Parks Poster," this Western art dealer shows a Waugh poster and includes a biographical sketch on the artist.

WPA posters promoted Free Art Instruction; Free Grand Opera; and Free-Free-Free Federal Theatre.

It couldn't have lasted. As useful as a revival might be, given our current depression of indefinite duration, it won't happen.

At least we have a reminder of past national achievements in this beautiful volume...

... Printed in Singapore.

4.11.2010

Terrain and Resources

IL Federal Art Project, WPA
Artist: John Buczak
Library of Congress
I always think I'm attuned to changing language—and ready to bristle at new euphemisms and manipulative usages. But until waking to the sound of this on Monday, the military "Human Terrain System" got by me for years.

Immediate reaction—
in this country, we're Human Resources; the whole world is potential Human Terrain.

NPR's story, "Marines Tap Social Sciences In Afghan War Effort," opens with a visit to a sympathetic (and apparently blond) figure, who
...stood out at a recent meeting that Marine and Afghan army commanders held with local farmers and shopkeepers. Tall and fair, the 36-year-old researcher was dressed in an Afghan headscarf and Marine uniform, the only woman in the group.
The segment continues with a board member of the American Anthropological Association, a group that for years has pointed out the ethical problems. Morning Edition's tone implies that some pesky academics object to this program's good intentions.

David Price, a member of the Network of Concerned Anthropologists, provides more detail: Human Terrain Systems Dissenter Resigns, Tells Inside Story of Training's Heart of Darkness.

A statement by that dissenter, John Allison, "Summary Critique of Human Terrain Systems from a Trainee's Perspective," is at the end of Price's piece. Judging from Allison's account, the program's rationale is that "experts" will reveal the secrets of the native mind, while lending a humane, social sciences face to the occupiers as they pacify the formerly inscrutable.

With retired military recruiting the social scientists and cashing in on the contracting fees.

Davis describes the culmination of the training course: a war-game exercise set in a Midwest town "where environmentalist-separatists had taken over" a power plant and "broken away from US control." The trainees are to
1. 'Find out more details on the criminal activity.'
2. Find out the best conduits to pass 'information' (PsyOps and InfoOps) to the local population.
3. ... produce a 'Research Plan' to understand the situation at the ... power plant – people's concerns, desires, etc., and identify those who were 'problem-solvers' and those who were 'problem-causers,' and the rest of the population whom would be the target of the information operations to move their Center of Gravity toward that set of viewpoints and values which was the 'desired end-state' of the military's strategy.
When other Americans are viewed this way, you just know the approach toward the occupied—what with their dark skin and wrong religion—will go so very well.

In other news of our noble military endeavors, there's the transcript at the end of this account of Gen. McChrystal's recent chat with the troops. He is asked this—
On escalation of force, have you considered engaging the local community on the issue? We could explain at the brigade/battalion level what behavior we find threatening, and how we are trained to react when we feel threatened. We could negotiate with the community leaders over mutually agreeable actions and reactions that are better understood by both and gives part ownership of the issue to the community and empowers them in line with our approach to reintegration.
If nothing else, the social sciences in Afghanistan have imprinted some jargon on this questioner.

In a gee-whiz response, McChrystal admits he can't answer, but
...we certainly ought to be doing that. We have so many escalation of force issues, and someone gets hurt in the process, and we say, 'They didn't respond like they were supposed to.'

...in the nine-plus months I've been here, not a single case where we have engaged in an escalation of force incident and hurt someone has it turned out that the vehicle had a suicide bomb or weapons in it and, in many cases, had families in it. That doesn't mean I'm criticizing the people who are executing. I'm just giving you perspective. We've shot an amazing number of people and killed a number and, to my knowledge, none has proven to have been a real threat to the force.
As I read this on Monday, Wikileaks has revealed one case of the military surveying the Iraqi human terrain—and finding video game targets.

Chris Floyd writes about counting upon the American people to rise up at this shocking revelations of this video.

...A few days late for April Fool, but, one gets the idea.

Back in the Homeland, some human resources owned by this guy are turned into ex-resources.

Blankenship may not own West Virginia outright, but it's not for lack of effort.

If there are any penalties to be paid for this latest disaster, they will be a very small calculation against the profits of unregulated, non-union mining. All goes well, when you're a Person in terms of dumping corporate profits into political control, but not a person subject to criminal prosecution.

While, those wacky French do this
The Paris prosecutor's office has opened an investigation into allegations of "workplace harassment" at France Telecom following a spate of suicides at the company...
In other recent news: it's so good to know those paragons in the Catholic hieararchy control our elections and Supreme Court.

Naturally, it's the liberals' fault. Or as Tintin translates from Ross Douthat's column on the NYT "Pope-Ed Page"—
Roman Catholic priests like to schtup altar boys because liberals in the 70s promoted free love.
From another Tintin post:
It's totally unfair for liberals to blame the Pope for the current pederasty kerfuffle because the Roman Catholic Church is just so enormous that, in fact, the Pope has absolutely no power over it and can't do anything to discipline pedophile priests no matter how hard he tries.
To mark April 1, I had planned to post some typical "things are great—look how well the rich are doing" story.

I couldn't find it on that date, it was there—in Forbes
What The Top U.S. Companies Pay In Taxes
Christopher Helman, 04.01.10, 3:00 PM ET

As you work on your taxes this month, here's something to raise your hackles: Some of the world's biggest, most profitable corporations enjoy a far lower tax rate than you do--that is, if they pay taxes at all.
The most egregious example is General Electric. Last year the conglomerate generated $10.3 billion in pretax income, but ended up owing nothing to Uncle Sam. In fact, it recorded a tax benefit of $1.1 billion.
...

Exxon tries to limit the tax pain with the help of 20 wholly owned subsidiaries domiciled in the Bahamas, Bermuda and the Cayman Islands that (legally) shelter the cash flow from operations in the likes of Angola, Azerbaijan and Abu Dhabi. Exxon has tens of billions in earnings permanently reinvested overseas. Likewise, GE has $84 billion in overseas income parked indefinitely outside the U.S.
Forbes' motive in covering this at all, of course, is to catapult the "US corporate taxes are exorbitant" propaganda
... it's the tax benefit of overseas operations that is the biggest reason why multinationals end up with lower tax rates than the rest of us. It only makes sense that multinationals "put costs in high-tax countries and profits in low-tax countries," says Scott Hodge, president of the Tax Foundation. Those low-tax countries are almost anywhere but the U.S. "When you add in state taxes, the U.S. has the highest tax burden among industrialized countries...
And to conclude
"The average Joe should be in favor of lower corporate taxes," says Hodge, "because ultimately they are paying the corporate income tax. Either as workers, getting lower wages and fewer jobs, or as consumers, paying higher prices, or as retirees, getting lower dividends and earnings on their investments."
What do dates mean, anyway—when the owners can play April Fool jokes on us proles every day of the year.

Before the week was out, there was this latest No-One-Could-Have-Predicted pose by our financial geniuses:
Prince, Rubin Say They Didn't Recognize Citi's CDO Risk in Time.

4.01.2010

April WPA Calendar


WPA/Federal Art Project [NY]
Artist: Richard Halls
Library of Congress