12.02.2016

The Reality Show At The End Of The World?

If, in the current context, insight can be a frightening thing, Yastreblyansky is hitting very scary bulls-eyes.

Yesterday, pointing to Alfie Kohn on Trump's psychopathology.

Followed today, by... well–
...you know what other famous dictator of history fancied himself an especially gifted artist? (It's OK, Mike Godwin himself says we can start doing this if we want, as long as we make an effort to know what we're talking about.) Not those watercolors, either, I'm talking about movies. I got this idea from one of the greatest movies I've ever seen, as a matter of fact, Hans-Jürgen Syberberg's Unser Hitler: Ein Film aus Deutschland (1977), which I saw twice, believe it or not (it's 442 minutes long), in which a major thesis or thesis-like theme is that Hitler increasingly saw himself as a filmmaker, in particularly from the war onwards, what we'd later call an auteur, literally having the war filmed, as we know, and watching the takes in his redoubt like a studio director going over the rushes. A Wagnerian film, obviously, with a Götterdämmerung at the end. Like the emperor Nero, Hitler felt the destruction of the world around him was interesting and deep, and a credit to his deep artistic sensitivity. Hitler was the Dramaturg of the end of the world.

And then, you know, there's Trump, who does "reality" shows, of which our experience in the last couple of years is certainly an example, and who is, as we know, similarly psychotic. I will doubtlessly be coming back to this thought, but I want to let it sink in a little.

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